When I was living in Cambodia from 2005 to 2009, the realization came to me that the story I wanted to tell was larger than me, than my own life. With Banyan, I wanted to pay homage to our humanity—that part of us that not only survives but triumphs. I saw this everywhere in Cambodia. I still see it every time I return. Despite living in the shadow of genocide, people there possess a lightness of spirit that’s absolutely inspiring.