by Andy Shi
“If in these characters you recognize your own psychosis, if the plot at large seems less redolent of the Red Scare of the 1950s and resembles more today’s sociopolitical bedlam, you are not wrong.” Continue reading
by Terry Hong
“The ideas of The Farm are ones that have obsessed me for decades…” Continue reading
by Marin Sardy
There was also something rigid about Gram Julia…traits associated with schizophrenia… Later an uncle recoiled at the idea. The family already had a story in place to explain Gram Julia. “Selfish,” they said. “A character.” Continue reading
by Juhi Singhal Karan
What do authors need “in order to release [their] imagination,” as Toni Morrison put it? . . . The process of writing is as fascinating as the written word itself, as will be evident from these five bloomers, each of whom had their own unique ritual. Continue reading
by Kaulie Lewis
Cathe Shubert considered both Ozick’s and Bovy’s essays as reflections on that essential question: “Why do we write? . . . Perhaps, she seems to suggest, the answers of “young” and “old” authors are more similar than we think. Continue reading
I believe that intentions matter. They matter in life and they matter in writing fiction. If you sincerely want to explore the humanity of a character who happens to be of a different race, that sincerity will shine through. Readers are so awesomely smart. Continue reading
by Kaulie Lewis
But a darker side of Wilder’s semi-autobiographical children’s series is revealed in the new version of her first work, Pioneer Girl . . . This restored autobiography includes details and stories judged too adult for the Little House books. Continue reading
