by Alice Lowe
In his 1946 New Yorker review of Do I Wake or Sleep, Edmund Wilson, one of the most prominent critics of his day, called Isabel Bolton’s voice “exquisitely perfect in accent.” Continue reading
by Alice Lowe
In his 1946 New Yorker review of Do I Wake or Sleep, Edmund Wilson, one of the most prominent critics of his day, called Isabel Bolton’s voice “exquisitely perfect in accent.” Continue reading
by Nicki Leone
I always find myself arguing on behalf of the book in situations like these . . . The author didn’t write this book to tell you what you want to hear, I point out, he wrote it because he had something to say. So what was it? Continue reading
by Nicki Leone
I always find myself arguing on behalf of the book in situations like these . . . The author didn’t write this book to tell you what you want to hear, I point out, he wrote it because he had something to say. So what was it? Continue reading
This week—in the spirit of candidness, “zigzag paths,” and the ways in which “shoulds” affect our writing and reading lives (and vice versa)—members of the Bloom staff share their “Unread Classics.” Continue reading