by Athena Kildegaard
It might seem strange to begin a consideration of a book of poems by looking at the last word in the book, but in the case of Radioland, that last word, parley, matters. Continue reading
by Athena Kildegaard
It might seem strange to begin a consideration of a book of poems by looking at the last word in the book, but in the case of Radioland, that last word, parley, matters. Continue reading
by Alice Schechter
Although the manuscript started with Celeste at her fan vent, as the story developed, the fear of loss was at the heart of it. I wanted to capture—and work through—a love that could be so intricately woven with dread. Continue reading