by Lisa Peet
“You can draw a person, what you think they look like, but if you’re drawing from a live model and are paying attention to the way their parts interact, it’s kind of like transcribing an oral history.” Continue reading
by Lisa Peet
“You can draw a person, what you think they look like, but if you’re drawing from a live model and are paying attention to the way their parts interact, it’s kind of like transcribing an oral history.” Continue reading
by Lisa Peet
“It was such a transformative thing for me, making the point that you get a different set of words and holy shit, your perceptions just turn inside out.” Continue reading
by Lisa Peet
“I think the process of allowing your hand and heart to make marks without thinking too hard is always going to be therapeutic. Expressing yourself, talking to someone honestly.” Continue reading
by Lisa Peet
“I need you to look at me and the assumptions that you make, and I’m going to obliterate all of those stereotypes and all your preconceived notions.” Continue reading
by Lisa Peet
“I was somewhat well-read, well-spoken, and well-dressed. In other words, I looked like my clients, and was able to bullshit with them about the art on their walls and the books on their shelves. I wasn’t completely invisible, even when I wanted to be.” Continue reading
by Lisa Peet
“In every phase, certain lessons have presented themselves intensely in my own life, and I wanted to show them honestly before reporting other stories. I wanted the reader to understand just how I’m able to see what’s happening in these other lives in moments of silence, secrecy, or heartbreaking posturing.” Continue reading
by Lisa Peet
“There’s something about the physical presence of the book, and the power of agency of your own attention. It’s a very personal experience.” Continue reading