by Lisa Peet
“You can draw a person, what you think they look like, but if you’re drawing from a live model and are paying attention to the way their parts interact, it’s kind of like transcribing an oral history.” Continue reading
by Lisa Peet
“You can draw a person, what you think they look like, but if you’re drawing from a live model and are paying attention to the way their parts interact, it’s kind of like transcribing an oral history.” Continue reading
The thing that tipped me off to it was this rinky-dink little historical society pamphlet from 1962 in which they were trying to get volunteers in Wyoming to go work on some of these water reclamation archeological surveys, and they mention River Basin Surveys in conjunction with Bighorn Canyon. I thought, “Okay, that has to be a real thing.” Continue reading
I found flash fiction (originally called short-shorts) in the 1980s when my brain exploded reading the work of Amy Hempel. Around the same time, the tiny, densely sad and gorgeous chapters of Monkeys by Susan Minot similarly stole my heart. Continue reading