by Alice Lowe
In his 1946 New Yorker review of Do I Wake or Sleep, Edmund Wilson, one of the most prominent critics of his day, called Isabel Bolton’s voice “exquisitely perfect in accent.” Continue reading
by Alice Lowe
In his 1946 New Yorker review of Do I Wake or Sleep, Edmund Wilson, one of the most prominent critics of his day, called Isabel Bolton’s voice “exquisitely perfect in accent.” Continue reading
by Vicraj Gill
With Roger Angell’s “Life in the Nineties,” the New Yorker brings us an excellent example of the kind of writing years of life experience can produce. Continue reading