by Lisa Peet
“You can draw a person, what you think they look like, but if you’re drawing from a live model and are paying attention to the way their parts interact, it’s kind of like transcribing an oral history.” Continue reading
by Lisa Peet
“You can draw a person, what you think they look like, but if you’re drawing from a live model and are paying attention to the way their parts interact, it’s kind of like transcribing an oral history.” Continue reading
by Martha Anne Toll
“If there’s no humor in a story, I can’t bear to write it.” Continue reading
by Andy Shi
“Women’s war stories, until recently, were primarily of impact vs combat. Impact affects everyone. We were and have all been impacted by war—and the other big issues in life. I’m very interested in battlefields that aren’t on the front.” Continue reading
By Alice Stephens
“I’ve been writing all this time, since university. It’s just taken a while to have a book in my hands.” Continue reading
by Martha Anne Toll
“This feels like it is happening at the right time for me and my writing, and that I have truly landed in the right place.” Continue reading
Writing my first novel, I felt: the past was drawing nearer, often so close, that it hurt. Continue reading
by Shoba Viswanathan
“I didn’t want to simplify the caste, class, gender, race, or religion issues. These are complex, intersecting forces of discrimination. There are a lot of gray, murky areas and nothing is simple or we’d have fixed it all centuries ago. So I didn’t want to confirm the reader’s sense of right and wrong but actually make them question their personal biases.” Continue reading