by Evelyn Somers
“We leave home and shed the identity we’re compelled to inhabit in our daily lives. At the same time, we’re not able to fully inhabit the place we’ve journeyed to. The result is an emotional and intellectual space we have unprecedented control over, but one with more room for self-invention.”
by Sonya Chung
Porter’s newest film—her 4th full-length project in 7 years—is JOHN LEWIS: GOOD TROUBLE, a profile of the late Congressman and Civil Rights giant. The film could not be more timely.
by Martha Anne Toll
Despite vast differences in wealth, status, ancestry, time, and setting, the eight-year-old girl in John Singer Sargent’s The Daughters of Edward Darley Boit haunts me. Why?
By Susan Sechrist
“Each character’s struggle to find equilibrium between fate and wish makes the reader also long for a glimpse of the larger underlying structure of it all.”
by Andy Shi
“If in these characters you recognize your own psychosis, if the plot at large seems less redolent of the Red Scare of the 1950s and resembles more today’s sociopolitical bedlam, you are not wrong.”
In solidarity with antiracism protests around the country and internationally, Bloom strives to be antiracist in what we publish, whom we interview, and the books we choose to excerpt. Bloom understands that many who fit that profile come from marginalized communities of all varieties, and that paths to publication are too often challenged by systemic racism. Our goal is to amplify the underheard and to celebrate the undersung—the authors who are not reviewed in mainstream publishing. Our all-volunteer editorial team is fiercely dedicated to realizing a just society through the dissemination of diverse voices that speak to equality for all.
by Caitlin Hamilton Summie
Oh, for the love of short stories! Today, a little late for May’s Short Story Month, I thought it would be wonderful to celebrate one more short story writer…
by Alice Stephens
“If mangoes, arranged marriages, and terrorists will make my stories mainstream for big publishing, then, well, we’re at an impasse.” Continue reading
by Maddie King
I have a fascination with artists whose defining works were not made public within their lifetimes. More often than not, they tend to be brilliant, prolific, and somewhat just out of reach, even when they were alive.
Continue reading
by Martha Anne Toll
“I know almost nothing about literary scenes anywhere. The greater part of my days are spent alone in a room.” Continue reading
by Sonya Chung
“I find that older writers tend to have more to say—more wisdom, more that’s worth hearing and remembering. They are sure-footed, at their peak. They can also be a pain in the ass! It’s certainly a trade-off.” Continue reading
by Nancy Koerbel
“The engine of an essay is doubt. The engine of an essay is doubt and self-reflection and humility, and once you get in that territory I think women are better at it.” Continue reading
by Andy Shi
“While I was writing, I taped a little reminder to my notebook: ‘Whatever you’re afraid to write—write that.’ It kept me honest and pushed me to place of candor and even audacity. ” Continue reading
