Sometimes I become frustrated with writing, when I know a photograph would communicate in an instant what I want to express, while prose will take five thousand words, and those five thousand words won’t come close. But then words, one after another after another, can expose layers that no photograph can reveal.
by Nicole Wolverton
The title of Luna’s novel is an homage to The Revolution of Everyday Life, a book on consumerism’s impact on modern life by Raoul Vaneigem. This impact . . . plays out in the lives of the homesteaders . . . particularly as gentrification threatens them.
by Evelyn Somers
Kaufman’s voice is irresistibly comic—which does not mean that the stories are all uproarious. Some are funny, some are sad; many are both. Kaufman has a talent for the minimally adorned word or phrase that evokes a fraught and complicated emotion or situation.
by Lisa Peet
I do a lot of writing in sections, montage, and then feel them out for the best order. In other words, a lot of tunneling—a hole here, one there, and eventually some catacombs emerge.
by Athena Kildegaard
“The recognition has been amazing. Writers, poets . . . we work a long time, we work hard, and until I won the PEN New England, I hadn’t quite realized how my confidence had been chipped away. ”
by Jill Kronstadt
Wroblewski has described The Story of Edgar Sawtelle as a romance between a boy and his dog, as much Romeo and Juliet as it is Hamlet.
The thing that tipped me off to it was this rinky-dink little historical society pamphlet from 1962 in which they were trying to get volunteers in Wyoming to go work on some of these water reclamation archeological surveys, and they mention River Basin Surveys in conjunction with Bighorn Canyon. I thought, “Okay, that has to be a real thing.”